I never had a chance to see your draft before you pulled it. Don’t be too self-critical — I sort of like it when we post a howler. It’s part of our style, isn’t it? I mean, we don’t even know what we’re going to post next ourselves!
I like the ‘LangPo v. Official Verse Culture’ just up because that’s IT in a nutshell for lots of poets these days. We’ve got to simplify it like that if we’re going to be popular at all. We’ve got to mine this whole Modernism thing–it’s pertinent, it’s relevant, it’s got legs, it’s known, it’s familiar to many, it’s sexy, and it’s Foetry-city, and it’s horribly sexist, in my opinion, and fascist, to boot, so if we can get people stirred up about it, we’ll have a huge audience.
I’m not a ‘knee-jerk’ leftist, Christopher; I like to think I transcend political labels, but right now I’ll do anything to get a discussion going. People who would otherwise be horrified at the true politics of the Modernists have given it a pass for the sake of ‘experimentalism’ and ‘aesthetic radicalism’ but I want to prove to the next generation of good people that we’ve been ‘had,’ and open up their eyes and tie it all into Foetics and then see where it leads, in a kind of Socratic manner: don’t know where the truth is exactly, but we’re looking for it…
You were at Cambridge, and I want to do an in-depth look at how American Modernism came out of the U.K. It’s really exciting…Bloomsbury and the Cambridge Apostles and the Aristotelian Society…all the New Critics were Rhodes Scholars, including Paul Engle…I’m sure the Plan was formulated in comfortable, cozy rooms above the green lawns of Cambridge University…some British Empire planner took a moment from his busy schedule of running the world…”Oh, what to do with Poetry? Well, let’s see…give me a moment…How about this and this and this?…very good, then!…carry on…”
So what was the Plan for Poetry? What is the Plan for everything? Consolidate power among elites, and I’m guessing the take-over works this way:
1. First, sow confusion in a ‘crisis’ atmosphere (Oh gosh what the hell is poetry, what is reality, anyway?)
2. Hand-pick those who are best equipped to respond to the ‘crisis’
3. Let these hand-picked be of two kinds: conservative and radical and let them feign disagreement while working towards the same end.
4. Stamp the hand-picked crisis-responders as the ‘new thing’ and have hand-picked associates in the press and in academia sound the alarm, but with grudging respect.
5. Relevance established, the ‘new thing’ is crowned savior and becomes the new status quo.
The whole thing ‘works’ precisely because the role of poetry no longer exists as poetry, but has been narrowed down into a kind of ‘movement’ which is ‘managed’ by a subsidized group; it is this ‘narrowing’ which provides the ‘energy’ that gains them advantage; they use poetry, instead of the other way around, they tie it into the current ‘crisis,’ and so the mere passive ‘appreciators of poetry’ don’t stand a chance–they’re slaughtered like cows.
I wanted to make this point to Des in our recent comments exchange on Scarriet. Destroying culture is like killing people. It’s serious business. Our mission to save poetry is not just about one’s individual right to write without criticism–it’s deeper than that
Alan’s got to be happy at how Scarriet is doing.
A poet friend of mine from Canada who I only talk to occasionally just sent me an enthusiastic message re: Scarriet. I’ll quote a part:
“Hi Tom, the Scarriet is amazing! we need something like this in Canada as its pretty lame here and no one is “kicking against the pricks” (sorry for my rather off colour language but this is an actual phrase that was popular in Canadian literary circles years ago) And I am not someone who can speak up unfortunately due to being shy! So congrats again on your feisty spirit and thats a lot of good work.”
Terreson & Gary are united by their ‘love of the earth’ which is OK, but it’s not finally interesting…eco-awareness has been played as much as it can possibly be played in the mainstream press, and now it’s become a matter of policy and implementation. Poets playing it up seems a little beside the point, like saying education matters…