THE DIGERATI SHOVEL BACK: Shoveling and Shoveling on Blog:Harriet..

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Today on Blog:Harriet, November 1st, 2009, marks The 60th day After the Banning of Thomas Brady, Desmond Swords, Alan Cordle and Christopher Woodman. To commemorate the occasion, we take the opportunity to examine the only thread in that period that has attracted more than a handful of desultory comments, and that is Kenneth Goldsmith’s rip-roaring, The Digerati Strike Back with a staggering 55 Comments!

To read the most recent of those comments and some even more staggering statistics, click here.

But don’t expect much about poetry, as even the posters themselves acknowledge it’s just shoveling, and because they are Travis Nichols‘ friends and colleagues, they’re obviously proud just to snip, snap and snuggle. Because that’s how you comment if you’re really on the  ‘in’ in the poetry establishment, unlike Thomas Brady, Desmond Swords or Christopher Woodman who actually read and write it, or Alan Cordle, so passionate and well-informed on the ethical and social issues, and a well-trained librarian.

But no passion please, we’re Blog:Harriet — no risk, no commitment, no challenge, no outrage or devotion, no Annie Finches, no Martin Earls, no Eileen Myles, no one who posts poems because they actually love them like Catherine Halley, or poets they would like to understand better like Joel Brouwer, and who give others both the space and the encouragement to explore difficult subjects in depth. Excellent Contributing Writers, and there are still some of those left, deserve better respondents — not just cynics and academics and a handful of groupies, insiders and glad-handers.

How sad, and nobody at The Foundation seems to care that Harriet is vacant. I guess that’s the way the Management  likes it, though how that serves Ruth B. Lilly’s larger mission remains to be seen!

Another Interlude at the Bama Conference: Charlie Brown Teaches Poet Lessons.

A second Open Letter to my friend the poet, Gary B. Fitzgerald, who gets so upset when his poems attract Dislike votes on Harriet,

or even when an admirer gives him too much attention!

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Dear Gary,
If you want to know how your poems make the Harriet posters feel, or at least that portion of the Harriet posters who feel compelled to vote ‘Dislike’ for every poem you post, look at Charlie Brown. For Charlie Brown, of course, is a poet, and you can tell that by how strongly he feels about that little red-haired girl. Indeed, that’s the first requirement, to have strong feelings, and the second is to have the courage of your convictions and, of course, get those convictions into words. You have to say what you mean, in other words, and say it loud and clear — even if it means your commitment knocks the little red-haired girl right out of her desk and onto the floor!

Because, of course, that’s the curse of being a poet as well, that if you say it too loud and clear the whole world will laugh and point — which is why most true poets never quite manage to become adults.

And would this set-back discourage Charlie Brown?  You bet it would, and he’d go home and sit down in that big chair and hurt.

And would Charlie Brown not write another poem the next time, and even post it on Harriet again despite all those horrible sophisticates he knows are going to dump Red all over it?

You bet he would — and will.

And would Yvor Winters find himself in the same predicament, or Kenneth Goldsmith, Stephen Burt or Travis Nichols? Never — they’re too smart and know too much, and deal with all poetry affairs circumspectly. They also know the little red haired girl couldn’t care less, and they’re certainly not going to risk their reputations by foolishly writing a poem for her. Because like her they’re cynics, which makes them always safe — and, of course, superficial poets.

Christopher

THE STRANGE CASE OF GARY B. FITZGERALD, POET PREPOSTEROUS on HARRIET

An Interlude at the Bama Conference — performed outside the curtain.

A letter to my friend the poet, Gary B. Fitzgerald, who gets so upset when his poems attract so many Dislike votes on Harriet:

“Your poems are very pure, Gary — indeed they’re unique in that. Because you bring no artifice to them, no stunts, no tricks, no riddles, no performances, no arcana, no complexities of any sort, no contradictions, no obscure references, no quotes, no citations, no buried hints, no deep alchemical or esoteric or psychological knots, no sleights of hand, no fits of madness, no fluff or flarf or fiddling, no lists, no inner flights of foolery, indeed almost no imagery at all, no sacred symbols, confessions or paradoxes, no minimalist self-abnegations, and, most unusual of all, no pretense. Finally, although your poems are almost always philosophical you don’t need to know one thing about Wittgenstein or Rorty, A.J.Ayer, Lyotard or Lao Tzu to understand them.

“All you need is a.) to be a human being,  b.) to know how to read slowly and deeply, with a pure and open heart, and c.) be able to trust something in words without any irritable searching after something even more fashionable to compare it with, or something even wittier, negative or positive, to stump the poem completely.

” You simply don’t give the Harriet readers anything to get their perfect teeth into, Gary — in fact, you make them choke. You make them feel that all that expensive orthodontistry they got done at Iowa or Stanford wasn’t even worth the smile! Because you don’t give them any chat-fat to chew on, and if they actually did read one of your poems, which they don’t, they’d just feel angry, as if you’d tricked them. Because your poems are THE REAL THING in an unwrapped nutshell, and an on-line love-you/hate-you show like the new regime at Harriet can’t deal with poetry that’s humble and, most unnerving of all, doesn’t even try to make it new!

And if you read this as an insult, Gary, or any other poet, you don’t deserve the name or the blessings it could bring you.

Christopher