WHY IT IS MORE IMPORTANT FOR A WRITER TO SLEEP WELL THAN BE READ, OR ALMOST

Dod Proctor, %22Morning,%22 (1927)…………………………..“Morning” by Dod Procter (1926).

………………………………………………………………………… December 2nd, 2017
My writing is for me like a journal that sleeps in in the morning…

that wakes itself up every day from scratch…

that is always the same yet always completely different…

that like time itself starts over again every time it’s aware of the time…

that like time is aware of itself only in a present that has neither a past nor a future or anything in common with anything defined, labelled, catalogued or published…

that is always there in my present because it has never had to become like another person’s book on my shelf…

that is never finished because it has no other reader to fix it like a butterfly on a pin, a print in the darkroom, or a boat with a chart and a hand-bearing compass somewhere out there on the ocean…

that is never opened because it’s a book that has never been cut even after it has been selected, edited, printed, purchased and held in a hand or a wrapper or warmed in a pocket or by the pillow in somebody’s bed…

that is susceptible to revision but not editing, i.e. susceptible to being re-seen but not re-said because it might sound better any old way…
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[cont.] ……………………………………………………………… December 3rd, 2017


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…………………………...‘LIBERATION’  (vendredi, 19  janvier 1990)

[cont.] ……………………………………………………………… December 4th, 2017
I lay in for a long time yesterday morning, figuratively speaking, and my sense of it is that that was good. It meant I didn’t have to explain anything to you about what I was doing and, low and behold, that worked out brilliantly. Because it was obvious — you just clicked on the clipping to get in and even if you didn’t speak a word of French the drapes showed you everything. And of course Cristina Szemere then set that up beautifully in her elegant précis: “persistent absence…awareness because there is no revelation, no un-dressing.”

Oh my!

And then on top of all that there were you visitors from France, Spain, Angola, India and Thailand along with the anglophones from the U.K. and America, all clicking on ‘Liberation’ to get a life in the next:  FOR FRANZ WRIGHT – January 21, 2010.

What I’ve done today is highlight the relevant passages in blue so that if you’re ready you can breeze through it all quite easily and I can continue to lie in.

Oh yes, and the keywords, of course: Didactic, Perfectly and Awful.

[cont. in the Comments.]…………………………………………. December 6th, 2017