ACADEMY & FOUNDATION: LINEN ON THE LINE!

GUARDIAN GRAB ++
Click Here to continue reading this GUARDIAN article.

Why are we doing this? Is this just more watchdog barking, is this just Foetry II? Indeed, what do we hope to achieve on Scarriet?

Because it comes at a price, this work of ours, and if you read the comments following the last article just below you can see how much. Desmond Swords is ready to move on because he feels we’ve achieved a lot, and isn’t willing to limit his own huge creativity to such a parochial little struggle. Tom and I are veterans, on the other hand, we’ve been banned from Poets & Writers, The Academy of American Poets,  and now The Poetry Foundation, so we’re running out of legitimate space to write in as legitimate travellers. I mean, we’re writers, not Black Panthers — and if you don’t understand how depriving creative people of their voices creates that sort of nightmare, you know nothing about the history of protest. Nor how tragic it can be, and particularly for those who have the gifts to be heard — how that hurts, how that rankles and drives them on!

The previous article just below, The State of the Onion, was posted to help anyone who cared to re-examine what happened last year on Poets.org, and we may or may not choose to comment on that ourselves. We’ll see. But whether we do or not, it’s up to all of you to decide about each one of us individually, and add your voices to ours if you feel what we’re saying deserves to be heard.

As to myself, do you feel I’m a libellous cad whom any self-respecting on-line venue ought to shun, indeed worse than Jack Conway [Lola] — as Kaltica [Pirvaya] suggested? [click herepassim] Or am I simply uncontrollable in any other way than banning. Is that why the lights went out for me so quickly on Blog:Harriet? I mean, I was placed in the hands of the Foundation Censor way back on July 14th, just days after the Like/Dislike function was introduced, and Thomas Brady, who writes twice as much as I do, and is far more influential, survived until September 1st!

And just look at those accusations levelled at me — yes, yet again that I wrote “abusive letters to the staff” and “hi-jacked threads,” exactly the same accusations as Chrissiekl, the Site Administator at Poets.org, had levelled at me the year before — even though Kaltica admitted it was really because I spoke about people who “weren’t there.[click herepassim]

So who were those people, and why couldn’t the Academy Administrator just ban me for libel? I mean, that’s clear, isn’t it, if I attack others in a groundless slur, the Academy just steps in to protect them? So why was I dismissed for writing abusive letters to the staff instead of for libel? Why the smoke screen?

Was it that my remarks were already well-established in the public domain, that I was referring to material that had already been published in Poets & Writers, for example, that everybody knew what I was talking about but that the individuals involved still had enough clout on the inside to hush me up? [click here]

Copycat or what, “abusive letters” and “hi-jacking?” I mean, everybody knew there were no abusive letters at all on either venue, and none has ever surfaced, or ever will. And there are no hi-jacked threads either. Or is there something else, perhaps “clique and manipulation” as John Sutherland calls it in The Guardian article. And if so, what are those towering pillars of the poetry establishment going to do about it? Because Scarriet has no bones to pick with The Poetry Foundation or with The Academy — except that both seem to turn a blind eye when special interests are so obviously able to manipulate  some of their employees’ editorial decisions, and that’s where it matters!

So where does that buck stop?

Christopher Woodman

WHY THE BANNED BIRDS SING

HARRIET BANNER GRAB

.Thomas Brady, Desmond Swords,
.
Alan Cordle, Christopher Woodman
POETRY IS DEAD GRAB

Writers keep blogging about the end of writing [and brilliantly, Abigail Deutsch. It’s a most wonderful article, and would we were there to honor it. Indeed, this one could  be well over 100 comments in a few days, and really be worth saving as a resource too. So we apologize for the satire, but what can we do?].

The English department is declining. Book reviews? Print journalism?  The on-line poetry-establishment non-profits like Pw.org, Poets.org, and Blog:Harriet?

There’s just one problem: no one gets into details. We want to know exactly when and why poetry croaked.  Did it happen in bed or on the beat? Did poetry die in peace, or in the ambitious twilight schemes of on-line editors in the back rooms at the American Academy of Poetry or the Poetry Foundation? Did Travis Nichols get short-listed for a prize like Robin Beth Schaer, or did they all get together for a ‘Compleat Retro Refit’ in Stockbridge or Lake Forest?

And so, in the style of the solemn journalism covering this crisis, we offer a few speculative reports for a nonexistent newspaper (call it The Daily Travesty).

They Know Why the Caged Bird Sings: Chicago Gang Takes Over, Ghetto Population Soars.

BOSTON– [on schedule]
DUBLIN– [tomorrow]
PORTLAND– [evening edition]
CHIANG MAI– [Sunday magazine section]

[STAY TUNED. The samizdat articles are coming in hot off the underground press — and if you don’t receive your copy it means you’re part of the problem! ]